Signal Feels Collision
Eight digital prints on aluminium, Each 120x160 cm. 2022
Commissioned by Singapore biennale - natasha

Signal Feels Collision is a series of eight digital prints on aluminum that explores how systems of abstraction are amongst the many forms of colonial violence applied by settlers onto natives and their worlds, such as by rendering native ecology into data that can be analysed, categorised, surveilled and controlled. Natives who imagine freedom are a threat to colonial domination. They resist colonial systems of abstraction with systems of meaning.