Live Fast Die Young
Single channel FHD video (color, silent, loop), bullet holes, metal chain, tires, black wooden box, adidas sport shoes, 3-hole mask, blue screen, white neon lights. 2019
Commissioned by MMAG foundation

In Prisoner of Love, Jean Genet discusses an image economy that is projected into the essentials of revolution as a fashionable interface with the intentions to attract world attention and generate solidarity with the Palestinian fedayeen and Black Panthers. Live Fast Die Young moves forward with a gaze that is very aware of this hyper-economy that emerged from the Al Baqaa camp to the Munich Olympics as part of an anti-colonial struggle. The installation, which imitates blue wall studio as a setting, creates an accelerated image of fedayeen through certain artefacts that refer back to the ongoing conditions of the resistance.